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Monthly Archives: September 2011

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Robert Colescott


Robert H. Colescott, born August 26, 1925 and died June 4, 2009, was an American painter. He is known for satirical genre and crowd subjects, often conveying his exuberant, comical, or bitter reflections on being African-American. He studied with Fernand Léger in Paris. According to the Albright-Knox Art Gallery, Colescott was “the first African-American artist to represent the United States in a solo exhibition at the Venice Biennale in 1997.” According to Askart.com and Artcyclopedia.com, his work is in many major public collections, including (in addition to the Albright-Knox) those of the Museum of Modern Art in New York, the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Museum of Fine Arts, Boston, the Hirshhorn Museum and Sculpture Garden, and the Baltimore Museum of Art.

http://upload.wikimedia.org/wikipedia/en/0/06/RobertCHeartbreak.jpg

Robert H. Colescott‎  Title: Heartbreak Hotel

In his George Washington Carver Crossing the Delaware: Page From an American History Textbook, he re-imagined Emanuel Leutze’s 1851 painting of the Revolutionary War hero, putting Carver, a pioneering African American agricultural chemist, at the helm of a boat loaded with black cooks, maids, fishermen and minstrels. With equally transgressive humor and an explosive style, he also created his own versions of Vincent van Gogh’s Potato Eaters, Jan van Eyck’s Arnolfini Portrait and Édouard Manet’s Dejeuner sur l’Herbe.

Colescott was drafted into the U.S. Army in 1942 and served in Europe until the end of World War II. His tour of duty took him to Paris, then the capital of the art world and a city that was hospitable to African American artists. Back home, he enrolled at UC Berkeley, which granted him a bachelor’s degree in drawing and painting in 1949. He spent the following year in Paris, studying with French artist Fernand Léger, then returned to UC Berkeley, earning a master’s degree in 1952.
Colescott moved to the Northwest after graduation and began teaching at Portland State University. He was on staff there from 1957 to 1966. But he had a life-changing experience in 1964 when he took a sabbatical with a study grant from the American Research Center in Cairo, Egypt. He returned to Portland for a year but went back to Egypt as a visiting professor at the American University of Cairo from 1966 to 1967. When war broke out, he and his family (then-wife Sally Dennett and their son Dennett Colescott, born in Portland, Oregon in 1963) moved to Paris for three years. They returned to California in 1970 and he spent the next 15 years painting and teaching art at Cal State, Stanislaus, UC Berkeley and the San Francisco Art Institute. Colescott accepted a position as a visiting professor at the University of Arizona in Tucson in 1983 and joined the staff in 1985, moving up the academic ladder until 1998, when he became a professor emeritus.

Joseph Osborne Social Curator

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Bill Traylor


William “Bill” Traylor was born on April 1, 1854 and died on October 23, 1949.  He was a self-taught artist born into slavery on a plantation belonging to George Hartwell Traylor near Benton, in Lowndes County, Alabama. After emancipation, his family continued to farm on the plantation until the 1930s.
Bill Traylor in spent the prime of his life working as a sharecropping. Like most blacks of his generation, the first black American citizens, they were expected to farm the land without owning it. Bill Traylor was expected to know his place, stay in it and leave this world with out leaving a foot print. Bill Traylor at the height of the great depression, in his 80s moved to Montgomery, Alabama where he slept in the back room of a funeral home and in a shoemaker’s shop. During the day, he sat on the sidewalk and drew images of the people he saw on the street and remembered scenes from life on the farm.  Traylors art gallery was the fence behind him. Charles Shannon, a painter, who, with his friends from the New South, brought Traylor art supplies and bought his drawings for nominal sums. Despite being homeless, jobless and alone, Traylor pursued his passion which was painting, drawing and documenting the local culture in the thriving African American community. There is no evidence of Traylors drawing before moving to Montgomery, however once there, that is all he did. During the next four years, Traylor produced between 1200 and 1500 drawings. In February, 1940, the New South hosted an exhibition of Traylors drawings, and in 1942, the Fieldston School in Riverdale, New York, hosted an exhibition organized by Victor E. D’Amico. The shows produced no sales. During World War II, while Shannon served in the South Pacific, Traylor moved north to live with relatives. Returning to Montgomery in 1945, he lived on the street again until relief workers insisted that he move in with a daughter who lived in Montgomery. A requiem mass was held for Traylor at St. Jude Church after his death October 23, 1949.

Joseph Osborne Social Curator

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Jean-Michel Basquiat

“I am not a black artist, I am an artist”.
Jean-Michel Basquiat

Was Jean – Michel Basquiat the messenger of the sacred and profane?

Black Identities in American Art an exhibition at Yale University Art Gallery

presents an opportunity to contemplate the question that seemed to plaque Jean – Michel Basquiat regarding Art and Black identities in American Art. With our American history in skin color being a object of oppression we are compelled to ask, can any artist of color exist in America, as Jean – Michel was quoted as saying, “I am not a black artist, I am an artist“. Can one be one without the other? Some might say, why is this a question of relevance? Well the truth is it isn’t, however in America one can’t have skin color like Jean – Michel and not be Black Identified. What is Black Identified? I would venture to say, an identity linked to a history of American Black Slavery. With that said, Jean – Michel could have identified more with the universal soul of the sacred. Or was he just high on some combination of drugs that takes one to a place of profane illusion? Our questions could go on and on, however the fact is Jean – Michel’s massive body of Art works is compelling to say the least.

Most often, the mention of Jean – Michel’s name compels us to contemplate the word – tragedy. Is it tragedy that accompanies greatness in Art or greatness in Art that accompanies tragedy. Either way most would not want to go to a tragic level for the sake of being great. However, how is it that so many of our great Artist are paired with what we most often think of as tragedy. Is it the tragedy that aides their mystique? Is it the tragedy that drives up the prices?

Joseph Osborne Social Curator

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Kara Walker

“I was seeing images that were all too familiar. It was black people in a state of life-or-death desperation, and everything corporeal was coming to the surface: water, excrement, sewage. It was a re-inscription of all the stereotypes about the black body.”
Kara Walker


Kara Walker speaks of her work as being about the unexpected. How can we be the hero/heroine yet want to kill the hero/heroine at the same time? Is this the American dilemma we find ourselves in? We are all connected, yet we focus on our differences and differentiators. Kara Walker exploits the push and pull of the American wound, our modern slavery history, that is alive and played out in our everyday 21st century lives. What are the messages, both hidden and obvious, that we can glean valuable information from, as we navigate our daily lives. Are we more comfortable not directly confronting the subject, which her silhouette allows us to do or do we have the courage to face the subject head on? Kara Walker challenges us to contemplate these questions.

Kara Walker was born in Stockton, California. Her retired father [Larry Walker] is a formally educated artist, a professor, and an administrator. Her mother [Gwen Walker] worked as an administrative assistant and was inspired by her family to reveal her own artistic talents.

Kara Walker’s silhouette images work to bridge unfinished folklore in the Antebellum South, raising identity and gender issues for African American women in particular. However, because of her confrontational approach to the topic, Walker’s artwork is reminiscent of Andy Warhol’s Pop Art during the 1960s (indeed, Walker says she adored Warhol growing up as a child). Her nightmarish yet fantastical images incorporate a cinematic feel. Walker uses images from historical textbooks to show how African American slaves were depicted during Antebellum South. Some of her images are grotesque, for example, in The Battle of Atlanta, a white man, presumably a Southern soldier, is raping a black girl while her brother watches in shock, a white child is about to insert his sword into a nearly-lynched black woman’s vagina, and a male black slave rains tears all over an adolescent white boy.

In 1997, Kara Walker—who was 28 at the time—was one of the youngest people to receive a MacArthur fellowship. There was a lot of criticism because of her fame at such a young age and the fact that her art was most popular within the white community.

Joseph Osborne Social Curator

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Giorgio Armani Spring 2012 Mens Collection

“The difference between style and fashion is quality.”
Giorgio Armani

In a world with so many choices where do we start? Well for anyone confused, lets start with style. Fashion can be very expensive and confusing. Who likes the idea of getting rid of last years out of fashion. With the world a bit concerned about the economy and the direction of things, certainly Giorgio Armani, a style icon, can be seen as the best value. We who know and understand Armani realize that adding Giorgio Armani to our wardrobe collection at any time, is worth the investment. There is no such thing as old Giorgio Armani, which is the magic of this designer. Armani is always new. Who could afford old fashion? Just the idea of keeping up is taxing. Lets vote for keeping it simple, as most of us have other things to focus on. Can we count on style as our friend? At corePLATINUM, we say yes! Style never seems to let us down when we need it the most. Who could use a little confidence? Who likes the concept of being enhanced by wearing dynamic Giorgio Armani? From home to the office, then out to dinner and to the Opera. It all works very well into our busy lifestyle inspiration. With Giorgio Armani, men can take their mind off of what they are wearing and focus on what is really important in their daily lives. In a world of often uncertainty, we love the certainty of Giorgio Armani.

Joseph Osborne & Bill Schoenleber Social Curators

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Michael Stipe – R.E.M.


Mr. MICHAEL STIPE is the lead singer of R.E.M. A band recognized by their sound and message. The lead voice of that sound is Mr. Michael Stipe. Are we in what were in for the right reasons or do we secretly hate what we are doing and feel trapped by the income or the income potential? Mr. Stipe is clearly an individual that seems to have a passion for music and has earned the right to be an artist on his own terms. If we pay close attention there is no shortage of frustrated people making a lot of money, however I would not put Mr. Stipe in that category. Golden handcuffs could be defined as anyone who is making a lot of money and hating what they are doing to make their money. Evaluating everything relative to our passion as it relates to our motivation/inspiration and simple desire to do the extra is exemplified by the song Night Swimming. As we move forward it’s the extra that provides us all with the opportunity to be our personal best. We find that if we have to make ourselves do something then this could be a sign that we are not on the right track. What are we having to make ourselves do and who is trying to motivate us to do it? The most important agenda is the agenda that speaks to our heart and only we can know what that is at any given time and this could change at any given time. One might say this is the creative mind. It simply takes courage to believe and have faith the size of a mustard seed to move forward with who we are and to be an example to others to do the same. Thank you Mr. Stipe for being an example of consistency and Inspiration.


Joseph Osborne
Co-founder Academy of Inspiration

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Joan Miro

Tate Modern London, England:

The Tate Modern Gallery in London, by all accounts is definitively not only one of the most Inspiring Art Gallery’s in the world, the space in it self is an amazing experience.

The Joan Miro exhibition, ending September 11, 2011 provided insight into the artist life experience relative to his life long works of art. Miro was a Spanish – Catalan painter, sculptor, and ceramicist. He was born (April 20, 1893 – December 25, 1983) in the Catalan capital of Barcelona. The exhibition is a story of the artist life, presented in a body of artworks, in three parts to provide a definitive explanation of how the artists life experiences translated into his life in art.

Miro’s work has been interpreted as Surrealism, which is a concept of the subconscious mind. By understanding the influences of his life beginning on a Catalan farm, into the Spanish Civil War and those at the end of his life which parallel the end of the Franco regime, we can gain greater appreciation of the works by this artist. Miro’s compelling body of artwork earned international acclaim during his life time.

The Tate Modern Gallery provides early insight into the Catalan domestic farm influence on the visual elements that would long influence the work of the artist. Regardless of how non-representational the works by Miro appear, it is important in the understanding and appreciation of the artist to know the intent of the artistic and historical context. In conclusion, the Tate Modern is successful in the Miro exhibitions ability to provide a comprehensive context which sets a president in further understanding this complex artist and his work.

Joseph Osborne & Bill Schoenleber Social Enterprise Curators

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Picasso

Picasso: Masterpieces from the Musée National Picasso, Paris

All children are artists. The problem is how to remain an artist once he grows up.
Pablo Picasso

de YoungMuseum San Francisco

Pablo Picasso in 1962

Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso known as Pablo Ruiz Picasso (Spanish pronunciation: [ˈpaβlo ˈrwiθ piˈkaso]; 25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor who lived most of his life in France. He is widely known for co-founding the Cubist movement and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d’Avignon (1907) and Guernica (1937), a portrayal of the German bombing of Guernica during the Spanish Civil War.

Picasso demonstrated extraordinary artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the 20th century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortune, making him one of the best-known figures in 20th century art.


Joseph Osborne – Co-founder of the

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Kehinde Wiley

“Where’s your negro statement”
Kehinde Wiley


Kehinde Wiley is inspired by European traditionalist portraits by painters such as Reynolds, Gainsborough, Titian and Ingres to name a few. Wiley, often will show the person that is sitting for him a collection of images of paintings he has chosen. In this approach, he involves the sitter in the creative process. The Columbus Museum of Art, which hosted an exhibition of his work in 2007, described his work in the following: “Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture.”

Born in South Central Los Angeles, Wiley takes his inspiration from what he sees on the streets. His portraits, often are inspired with young urban men from streets of New York and LA. Wiley’s unique style often blurs the lines between traditional and contemporary presentations. His references to Old Dutch Masters, French Rococo and Islamic Moorish influences combined with West African Textiles and American Urban Hip-Hop all merged into larger than life grandeur.

Joseph Osborne Social Enterprise Curator

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Adriann Wanner Inc. 30 Under 30 List

“We are now officially two stops from anywhere in the world”
Adriann Wanner

evoJets
Christopher Kelly and Adriann Wanner, Founders of evoJets
Inc.’s 2011 30 Under 30 list

evojets

Clients can call evoJets and have access to any aircraft at a moments notice. Need to get to destinations like Aspen Colorado or Miami Florida. How about Los Angeles , Dubai or Paris? No problem just call Adriann Warner, president and co-founder of evoJets, an upstart private-jet charter company. Warner has access to a pool of over 5000 safety certified aircraft in it’s worldwide network. When a client needs to arrange a trip they call Adriann and give her the details. With professional insight, Adriann acts as the clients advocate in researching the market place for the aircraft needed to meet the clients needs at the time of service. evoJets is 100% flexible, there is no money up front, you pay as you fly. evoJets is about personal service, value added relationship building and long term vision.

Joseph Osborne Social Enterprise Curator

 

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